December 6, 2007
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Richard: I’m not entirely certain how the Lurid Digs handmaidens got their lube-stained mitts on this doozie, but I must say I’m impressed. I mean, it’s not every day that one stumbles across a color photograph of renowned Norwegian painter Edvard Munch — much less on a site usually dedicated to gay pornography. (That is what we’re discussing here, right: gay porn?)

Anyway, as we can all clearly see, this dates from Munch’s early career. In fact, in the work hanging behind the artist’s well-sculpted buttocks, we can see his use of the rich, earth-toned palette he would later immortalize in that perennial dorm room favorite, The Scream (although the painting we see here is clearly a derivative depiction of Oslo’s famous botanical gardens, executed in the manner of Monet).

The photographer seems to have interrupted Mr. Munch in the process of creating a rather naughty self-portrait — such paintings were, in fact, often discreetly displayed on the exterior of urban dwellings across Europe, and they are generally considered predecessors to the “Manhunt headless dick shot” so common today. Let us hope that Edvard’s quest for hot, Scandinavian booty led to a very warm night for all parties.

John: This guy is so succulent, his dick so thick that it kills me that he has such great taste too. He knows — was born knowing — he could only exist in a room like this, a room that aspires to all that is best in Best Western. The anonymous lamp, the anonymous wood, the anonymous panels. Can we please have sex through a gloryhole?

The Motel 6 aesthetic is the Meth-Viagra of room decor — as this heavily-donged bastard so clearly asserts. I bet he even knows never to speak like the educated brainiac that he so obviously is. An art school graduate, I’d say, judging from the impressionist sunset — clearly a post-modern jest — which he hangs, perhaps a tad too knowingly, at an ironic angle as if all he’s good for is fucking on the floor until the walls rattle.

Steve: I’ll be moving in next week; thanks.
 
 
 
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